Louis Vuitton exhibit
PARIS (AP) “Fashions fade, style is eternal,” high quality replica handbags china Yves Saint Laurent once said.
An immutable fashion list must include the Ls Vuitton bag, on display 1:1 replica handbags demurely but proudly in Paris’ Decorative Arts Museum like the historical artifact it should be.
The bag pattern was first patented in 1877 but it can still be seen almost unchanged on the Parisian boulevards more than 130 years later. This is thanks to house founder Louis Vuitton, and since 1997, creative director 1:1 replica handbags Marc Jacobs.
Both their stories are woven together in a colorful exhibit that spans over a century of fashion history.
The exhibit takes the visitor from the founder’s humble beginnings as a case packer to the fantastical runway shows that transformed the house into one of the world’s biggest names Fake Louis Vuitton Replica Bags , with a revenue last year of 2.5 billion. Though both men are from different centuries, the exhibition asks whether they have more in common than meets the eye.
There’s a small clue in the first room: portraits of the two men hang side by side, both sporting mustaches in the style of their age.
“They’re both visionaries, though they would be the last to admit it,” said museum curator Pamela Golbin, “and they both lived an exact same story Perfect Quality Louis Vuitton Replica at a decisive moment in fashion.”
Louis Vuitton faced industrialization of the 19th century and new train travel while Marc Jacobs was confronted with 1990s’ changing demands for marketing “making fashion truly globalized for the first time,” Golbin said.
The story began for Louis Vuitton as a trunk packer for rich Parisians, a job in which he was able to hone a mastery of every bolt, lock and corner of travel cases from across the French capital. He built on his knowledge, finally opening his own house in 1854.
The Orient Express was new and fashionable high quality designer replica handbags , and the meteoric rise of haute couture under Charles Frederic Worth meant better dressed women went on trips with more and more clothes that needed cases to fit them in. For the trendy yet tired, there was a trunk that folded out fake louis bag into a bed.
As it still does under Jacobs, the house had a sense for the avant garde as early as 1890: one gargantuan case boasts the title the “Never Full Bag.”
Then there fake designer bags was the radical facelift of the 1990s. Glossy fashion magazines landed and globalized demands meant that labels had to up their game and expand, or sink. Creative talent was no longer the only criteria sought by the industry: instead “marketing” became the buzz word.
Enter Marc Jacobs, already a big name in the fashion industry, to design the Louis Vuitton house’s first ready to wear collection, 143 bag filled years later.
Using his corporate knowledge and irreverent humor he revamped the bags and shoes the company’s financial lifeline.
A vivid display of mannequins kneeling captures the transformation from past to present perfectly: each model has a classic Louis Vuitton bag placed on her back covered in graffiti.
The exhibit high quality designer replica handbags wholesale shows other irreverent sources of musings for the designer, including a 2003 manga film by Japanese artist Takashi Murakami that is used to revamp the traditional LV monogram.
The continued growth of the house comes down to his versatility.
Marc Jacobs fall winter runway show featured models in Edwardian hats exiting a reconstructed train that might have been the turn of the Discount Replica Louis Vuitton Bags century Orient Express. So there we have it https://www.dolabuy.su/ , the full circle.
But, the designer mused backstage, “Whatever you try, clothes never really can replica louis vuitton live in the past. They are worn now so they are modern, with a modern take. I’m not nostalgic.”
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